Media Cache changesĪ small update to the Media Cache preferences changes the old Delete Unused media cache option to Remove Media Cache Files which presumes it’ll just delete them all from your designated media cache folder. Yes, a custom 2×11 sequence was a bit extreme but Auto Reframe did a commendable job of trying to keep things in frame with such an extreme aspect ratio. You can create custom sizes which might come in handy if you’re doing edits for oddly shaped screens in an arena or concert environment.Īll new Auto Reframe sequences get placed in their own Auto Reframed Sequence bin. It doesn’t seem to balloon the project size too badly though so that’s a good thing. In order to keep the subject in frame Auto Reframe automatically generates Motion Position keyframes so a big sequence with a lot of complex shots will both take time to analyze as well as create a lot of keyframe data. You could click into the Auto Reframe effect in the Effect Controls and have it reanalyze with a new motion estimation or just change the keyframing by hand in the Position parameter where the change has occurred. It’s important to note that when you Auto Reframe a sequence that new Auto Reframe effect gets applied on every video clip. If you choose to Nest all of the clips in the sequence will be nested and the Auto Reframe applied to the nest. If you have already applied a lot of motion changes such as scaling and keyframing of some clip moves you’d want to choose the Nest clip option, otherwise Auto Reframe will remove some motion effects. The Nest clip vs Don’t nest clips is important to understand. There are motion presets for slower or faster motion to help Auto Reframe better estimate what is happening in the frame. The key is the Aspect Ratio as that’s what you’re doing, changing the sequence to something different than what you build the edit on. The Auto Reframe Sequence dialog box has a few options to look over before making your choice. Right + click on a sequence and choose the new Auto Reframe Sequence… option. That’s what you usually will want to do anyway, change an entire sequence from one aspect ratio to another. While I’m sure there will be a useful place for the stand-alone effect from time to time (I tried to apply it in a 16×9 sequences with stacked and cropped clips but it didn’t really do anything) it’s real usefulness will come when applied to sequences.
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Plus you can always remove the effect and do it on your own.Īuto Reframe is a new effect that lives under the Transform category of the Effects window. Will it be perfect in every situation? Absolutely not but when the AI doesn’t nail the framing it’ll at least be a good start. It’s a tool many of us have wished for in the editing suite for a number of years since social media reformats became a thing and it will be a big timesaver. Undoubtedly Auto Reframe is the signature feature of this release. That means less back and forth with audio gain in order to get a clip just right.Ī check of the Clip Mixer sees the faders now go up to 15. I know this might seem like a small thing compared to Auto Reframe but it’ll be very useful to have the extra volume headroom when it comes to mixing audio. What’s my #1 favorite of this release? Expanded Audio Gain to +15 If you remember Auto Reframe was previewed recently and a technology that uses Adobe Sensei to “intelligently” crop and reframe your video when you move from one aspect ratio (think a 16×9 sequence) to another (like a 1×1).
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After a quiet IBC where Adobe’s focus was less on new features and more on performance, Adobe MAX brings us a new release of Premiere Pro that delivers Auto Reframe as well as a few other enhancements which should hit your Creative Cloud app today. It’s Monday of Adobe MAX 2019 so that must mean new and cool stuff for the Adobe video tools.
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